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Annunciation (Memling) ：ウィキペディア英語版

Annunciation (Memling)

The ''Annunciation'' is an oil-on-oak panel painting attributed to the Early Netherlandish master Hans Memling. Partially transferred to canvas in the 1920s, it was completed c. 1482 and is today held in the Robert Lehman collection of the Metropolitan Museum of Art, New York. It shows the Virgin in a domestic interior, two attendant angels, the archangel Gabriel dressed in rich ecclesiastical robes, and a hovering dove. The painting is based and expands upon the Annunciation wing of Rogier van der Weyden's c. 1455 ''Saint Columba altarpiece''. The Virgin simultaneously swoons and foreshadows the crucifixion. According to art historian Maryan Ainsworth, the work presents a "startlingly original image, rich in connotations for the viewer or worshiper."〔 The simple iconography centers on the Virgin's purity; the Incarnation, the Virgin as mother and her role as bride and Queen of Heaven.
The original frame survived until the 19th century and was inscribed with a date believed to be 1482; 20th-century art historians suggested the number's final digit was a nine, which would give a date of 1489. In 1847 Gustav Friedrich Waagen described it as one of Memling's "finest and most original works".〔Sterling (1998), 81〕 In 1902 it was exhibited in Bruges at the ''Exposition des primitifs flamands à Bruges'', after which it underwent cleaning and restoration. Philip Lehman bought it in 1920 from the Radziwill family who may have had it in their family since the 16th century; Antoni Radziwill discovered it on a family estate in the early 19th century. At that time it had been pierced through with an arrow and required restoration.
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